EASERA – Soundpost Acoustics https://spbackup.ctechstudio.com acoustics consulting and audio production Thu, 20 Aug 2015 18:36:20 +0000 en-US hourly 1 https://wordpress.org/?v=5.4.16 The Big Red Balloon https://spbackup.ctechstudio.com/the-big-red-balloon/ https://spbackup.ctechstudio.com/the-big-red-balloon/#respond Tue, 20 Jan 2015 16:31:19 +0000 http://spbackup.ctechstudio.com/?p=193 We are fortunate to have lots of high quality equipment available to us for making acoustics measurements. We regularly use EASERA from AMFG for making impulse response measurements in rooms and to measure reverberation times and other useful acoustical parameters. Recently, … Continued

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We are fortunate to have lots of high quality equipment available to us for making acoustics measurements. We regularly use EASERA from AMFG for making impulse response measurements in rooms and to measure reverberation times and other useful acoustical parameters. Recently, we also have been using the AudioTools iOS app developed by our friends at Studio Six Digital for amazingly high quality measurements using only an iPad – a traveling acoustician’s dream!

However, all of these measurement approaches usually involve using a loudspeaker to create the test signal. Sometimes, the sound of the loudspeaker in the room is exactly what needs to be tested. Other times, we would rather have a sound source located where musicians are located, and a loudspeaker is either not readily available or really is not the best representation of the musicians’ sound anyway…

 

Enter the Big Red Balloon.

 

This humble device has been used for direct measurement of room impulse responses for a very long time. It’s reliable, loud, highly portable, and has good frequency response way down to the 63Hz octave band when you blow them up really big.

 

Did we mention loud? It is important to remember hearing protection and also to be sure that anyone who might be nearby knows that it’s just a Big Red Balloon going “bang!”

Here is a fun sequence of images showing this in action:

 

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Voiceover Booth Acoustics https://spbackup.ctechstudio.com/voiceover-booth-acoustics/ https://spbackup.ctechstudio.com/voiceover-booth-acoustics/#respond Thu, 04 Dec 2014 18:54:32 +0000 http://spbackup.ctechstudio.com/?p=168 Recently we have spent some time working closely with voice actor Jordan Reynolds to solve some acoustics issues in his voiceover booth. While the acoustical quality of the booth he designed and built is quite impressive  – everything from multilayer gypsum board construction for … Continued

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Recently we have spent some time working closely with voice actor Jordan Reynolds to solve some acoustics issues in his voiceover booth. While the acoustical quality of the booth he designed and built is quite impressive  – everything from multilayer gypsum board construction for excellent isolation to custom welded door hinges! – one vexing problem remained: an incessant boominess that muddies the sound of his voice recordings. Jordan’s finely tuned ears knew something wasn’t right, and he brought us in to help solve the issue.

From previous experience in these small spaces we suspected that low frequency room modes might be involved. Room modes cause variations in sound pressure level – sometimes extreme variations – as you move through a space. When untreated, they also cause the sound to “ring” or resonate at particular frequencies that correspond to the room dimensions. In the case of Jordan’s voiceover booth, we used EASERA to measure some strong room modes in the 80-120Hz range illustrated clearly in the spectrogram plot below.

Reynolds Vocal Booth Modes

 

These room modes occur in the same frequency range responsible for the “boomy” sound in the booth… We are working now to help Jordan find suitable treatments to tame these low frequencies and transform the sound of his voiceover recordings!

 

 

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